James Baldwin
June 9th, 2011 § Leave a Comment
“I reacted by trying to be pleasant—it being a great part of the American Negro’s education (long before he goes to school) that he must make people “like” him. This smile-and-the-world-smiles-with-you routine worked about as well in this situation as it had in the situation for which it was designed, which is to say that it did not work at all. No one, after all, can be liked whose human weight and complexity cannot be, or has not been, admitted.”
“But unless one’s ideal of society is a race of neatly analyzed, hard-working ciphers, one can hardly claim for the protest novels the lofty purpose they claim for themselves or share the present optimism concerning them. They emerge for what they are: a mirror of our confusion, dishonesty, panic, trapped and immobilized in the sunlit prison of the American dream. They are fantasies, connecting nowhere with reality, sentimental; in exactly the same sense that such movies as The Best Years of Our Lives or the works of Mr. James M. Cain are fantasies. Beneath the dazzling pyrotechnics of these current operas one may still discern, as the controlling force, the intense theological preoccupations of Mrs. Stowe, the sick vacuities of The Rover Boys. Finally, the aim of the protest novel becomes something very closely resembling the zeal of those alabaster missionaries to Africa to cover the nakedness of the natives, to hurry them into the pallid arms of Jesus and thence into slavery. The aim has now become to reduce all Americans to the compulsive, bloodless dimensions of a guy named Joe.” -James Baldwin
